Hi folks, ready to unlock the door to writing success? I'm skipping the obvious keys like a good attitude, overflowing confidence, tenacious spirit, hard working, self-educating, a big time reader, loner ability, a happy reviser, works well with criticism, and a team builder.
I was chatting about my last dream with an acquaintance -- the one where I'm riding a metal wheeled bike in a velodrome in an Olympic-like setting -- in my dream my bike can also fly a bit. I'm trying to catch this serial killer who is not out to kill me but most possibly Lance Armstrong -- this time. The person looked at me and with all sincerity said, "Oh, I wish I had dreams like that." My imagination is all slippy and flexible. I've spent most of my life spending a little time dreaming awake and then putting that on the page. One fun perk is a very active dream life. Oh, yeah.
There is some stuff you can do to get your imagination flying. Active outsider art is one way. My mom and dad had a huge handle on how to foster the imagination. All the arts were encouraged at home but in very non-structured free formed ways. We didn't join a club to play ball or take classes to sew clothes. It was very much an outsider's art experience. Check out the American Visionary Art Museum for ideas. I really need to visit Baltimore some time. My friend and author Faith Pray is also very good with letting the art grow. Check out her Sacred Dirt blog. And a last example, you can pretend to be some character and your friends do the same, and how much fun is that? My friend and author Katherine Grace Bond occasionally puts on creative play classes for adults. Such play will add jazz to your writing. Add outsider art to your life.
You need to mix active stuff with some passive stuff. Go stare at some art - local gallery, museum, just hang out at any artist's studio, check out a movie or play or opera, go to a concert, whatev. I mean soak it in. I have fab memories of gathering with friends in front of laser light shows and just listening to the Pink Floyd's Dark Side of the Moon. They still do this in Houston at the science museum. I also like that Sketching Gallery at the Getty. I've been there with my family several times. You can soak in some awesome inspiration anywhere with a clear sky this weekend. We are in the middle of Perseid meteor shower. Take your favorite music and watch the biggest show on Earth. (Hint the more senses you involve the better the imagination juice...)
So one big key to success is your BIG IMAGINATION. Don't let anyone get your down because your head is often in the clouds and you play like a kid. Do not be moved by folks who tell you to be more serious. See you next week with another key. :)
So here's the doodle: "Cup on post."
I am imagination. I can see what the eyes cannot see. I can hear what the ears cannot hear. I can feel what the heart cannot feel. Peter Nivio Zarlenga
Explore the art and craft of writing with a healthy dose of inspiration for artists of all kinds.
Saturday, August 11, 2012
Saturday, August 04, 2012
The Keys of Writing Success -- Flaws
Hi folks, It's time for the summer dial back. I'm going to skip the obvious keys like a good attitude, overflowing confidence, tenacious spirit, hard working, self-educating, a big time reader, loner ability, a happy reviser, works well with criticism, and a team builder.
This is a little nugget to tuck in your pocket this week. Most writers are fearful and have times of self doubt. They have grandiose ideas about their work and feel substandard work is genius. They don't always listen to good advice and wreck entire projects. At times, they feel like their writing is absolute crap or worse derivative.
They moan and groan about the inability to finish their work, and yet they drive family members and friends crazy with their intense focus. They become blocked, distracted, and choked in cyclical turns. They face pricks of professional jealousy and find themselves in valleys of despond because they just aren't good enough. They can be totally ridiculous and childish when confronted with critisim. They take wrong turns and end up on dead end streets. They backtrack a lot.
So here is the key -- you are flawed and you will create a work that will be flawed. A good writer does not allow perfectionism to take them out. The flaws within the matrix of your work bring it character, flavor and humanity. Yeah, tuck that in your pocket and keep it there.
I will be back next week with another key. Keep working!
The doodle this week is called: "Peeps."
This is a little nugget to tuck in your pocket this week. Most writers are fearful and have times of self doubt. They have grandiose ideas about their work and feel substandard work is genius. They don't always listen to good advice and wreck entire projects. At times, they feel like their writing is absolute crap or worse derivative.
They moan and groan about the inability to finish their work, and yet they drive family members and friends crazy with their intense focus. They become blocked, distracted, and choked in cyclical turns. They face pricks of professional jealousy and find themselves in valleys of despond because they just aren't good enough. They can be totally ridiculous and childish when confronted with critisim. They take wrong turns and end up on dead end streets. They backtrack a lot.
So here is the key -- you are flawed and you will create a work that will be flawed. A good writer does not allow perfectionism to take them out. The flaws within the matrix of your work bring it character, flavor and humanity. Yeah, tuck that in your pocket and keep it there.
I will be back next week with another key. Keep working!
The doodle this week is called: "Peeps."
Thiw quote will keep you going this week.
“I am not an angel,' I asserted; 'and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me - for you will not get it, any more than I shall get it of you: which I do not at all anticipate.” ― Charlotte Brontë, Jane Eyre
Saturday, July 28, 2012
Pitfalls -- Distraction
Hi folks, I hope you are working this week. I'm going to wrap up my pitfalls series this week. This last writing pitfalls I'm going to cover is distraction and is considered another cause for choking. I talked about the other cause -- "paralysis of analysis" -- last week. Again, I'm borrowing from other fields here -- sports and math performance -- and what they've learned about distraction
So what is distraction? You checked your Facebook, wrote your blog, updated your twitter, commented on several boards, wrote a writing article, volunteered for a conference, revised your website, researched agents, read a book on writing, and didn't have any time to work on your novel. You, my friend, are distracted and are this is no way to write your books.
Why are you distracted? You have a system in your brain system. This system actively holds information in the mind to do tasks. This system is called your SHORT TERM MEMORY. Distraction is about an overloaded short term memory. Writing a novel is already a multi-tasking job. Now, your short term memory has become full of ancillary tasks -- creating a network and building a platform. Your mind is full of these tasks because many publishing voices are putting pressure on you to do them. These voices have you worried. These ancillary tasks have drawn you away from the primary task of "writing the dang book."
You are now in a multi-task weighted environment that has exceeded the limits of you short term memory. This multi-tasking environment puts especially high pressure on newbie writers because they lack writing experience that helps a veteran writer stay focused when the pressure is on. There are some things you can do to alleviate this situation. Compartmentalize. Dedicate one day a week to your ancillary tasks and the rest of days work on your main task. Build in a system of rewards. Athletes understand they must have a reward to train. Not all pressure is bad. Something about getting a gold medal puts the right kind of pressure on the participant to push past distractions.
Seek an audience for your writing. This is writing on display, especially in front of experts in field and will put pressure on you to limit distractions. Freelance. Newbies are at a disadvantage and can help themselves by piling on experience. I remember hearing a famed children's editor years ago saying you need to take any writing job for pay that comes your way. Write menus for restaurants if you have to, he encouraged. A writing job will sharpen your skills. A writing job comes with rewards (pay), an audience (an editor and readership) and the heat of a deadline. The more experience you have the less likely you are to choke when you move forward with a mammoth novel projects. Seek pressures that will make you excel.. Even a volunteer writing position will help. Experience will hone the automatic skills you need to write when the heat is on.
I hope you see that the proper writing environment is fragile. It must be tended and tweaked. You need to think about the number of tasks you can reasonably perform and then let the rest go. You need shift some of your time tasks that bring your the right kind of experience. If all your tweeting is building an audience with experts in the field, keep at that, but ditch the Facebook, the boards, the blogs, etc. Read experts books with a critique group and hold each other accountable to implementing knowledge in the book. Are you getting the picture? Create an environment that is conductive to the production of a product and limits distractions.
Okay, I can't cover everything in the universe about distraction here, but I hope this little discussion helps you get on the path to book production. Seize the day.
So what is distraction? You checked your Facebook, wrote your blog, updated your twitter, commented on several boards, wrote a writing article, volunteered for a conference, revised your website, researched agents, read a book on writing, and didn't have any time to work on your novel. You, my friend, are distracted and are this is no way to write your books.
Why are you distracted? You have a system in your brain system. This system actively holds information in the mind to do tasks. This system is called your SHORT TERM MEMORY. Distraction is about an overloaded short term memory. Writing a novel is already a multi-tasking job. Now, your short term memory has become full of ancillary tasks -- creating a network and building a platform. Your mind is full of these tasks because many publishing voices are putting pressure on you to do them. These voices have you worried. These ancillary tasks have drawn you away from the primary task of "writing the dang book."
You are now in a multi-task weighted environment that has exceeded the limits of you short term memory. This multi-tasking environment puts especially high pressure on newbie writers because they lack writing experience that helps a veteran writer stay focused when the pressure is on. There are some things you can do to alleviate this situation. Compartmentalize. Dedicate one day a week to your ancillary tasks and the rest of days work on your main task. Build in a system of rewards. Athletes understand they must have a reward to train. Not all pressure is bad. Something about getting a gold medal puts the right kind of pressure on the participant to push past distractions.
Seek an audience for your writing. This is writing on display, especially in front of experts in field and will put pressure on you to limit distractions. Freelance. Newbies are at a disadvantage and can help themselves by piling on experience. I remember hearing a famed children's editor years ago saying you need to take any writing job for pay that comes your way. Write menus for restaurants if you have to, he encouraged. A writing job will sharpen your skills. A writing job comes with rewards (pay), an audience (an editor and readership) and the heat of a deadline. The more experience you have the less likely you are to choke when you move forward with a mammoth novel projects. Seek pressures that will make you excel.. Even a volunteer writing position will help. Experience will hone the automatic skills you need to write when the heat is on.
I hope you see that the proper writing environment is fragile. It must be tended and tweaked. You need to think about the number of tasks you can reasonably perform and then let the rest go. You need shift some of your time tasks that bring your the right kind of experience. If all your tweeting is building an audience with experts in the field, keep at that, but ditch the Facebook, the boards, the blogs, etc. Read experts books with a critique group and hold each other accountable to implementing knowledge in the book. Are you getting the picture? Create an environment that is conductive to the production of a product and limits distractions.
Okay, I can't cover everything in the universe about distraction here, but I hope this little discussion helps you get on the path to book production. Seize the day.
Here is this week's doodle:: "Wide open sky."
Finally, I add a quote:
Sometimes adversity is what you need to face in order to become successful. Zig Ziglar
Saturday, July 21, 2012
Pitfalls -- Choking
Hi folks, I'm continuing my series on pitfalls. This week I'm going to talk about a real pitfall for writers with a term that is generally associated with sports. You know, choking, a team is ahead and the star player just seems to fall apart on the field for no apparent reason and the game is lost. Writers have a similar problem. Choking is collapsing to the pressure of writing. It's hard to put yourself out there. It exposes your inner most self. A big pitfall for writers is to squander your talent and hard work on a "choke."
To me, choking is all about a "paralysis of analysis." A writer becomes wrapped up in an unreasonable quantity of analysis that overwhelms them. She find herself incapable of making the necessary cuts and revisions to make her work shine. All the writing is good, she thinks. She can't take any of this out. She can't move any of this around. She can't add that big new part. Moreover, she goes over and over her first chapter, countless times paralyzed by the need to make that chapter perfect and somehow always coming up short. She reads writing books adding even more advice to the mix. She seeks the feedback of dozens and dozens of colleagues but never fully taking any of the advice, unsure because all the advice contradicts and she is unsure who has offered the best advice. Or she might try to implement all the advice and find that her purpose of writing the piece has become muddy and finds the work is a train wreck. The writer may become anxious and depressed. She begins to think of her lost writing dreams and how she is forever barred from success. It's self-fulfilling though, because she has "over thought" and "over complicated" what writing a book is all about.
Oh, yeah, folks, I have been here. Thankfully the fix is easy. One, kick back one day and reread a favorite book. You see, people can write books. You can do this too. Next, you have to really cut back the amount of information used to help you make revision decisions. You pick the three best colleagues advice and you don't listen to advice from anyone else. This will help stop the choking. Now, stop micro-managing yourself. I mean it. Loosen up and trust your GIFT. The love of writing, your love of story, your love of words, I mean this has been going on for a long while, trust that you were born to do this. Monitoring your every move in writing is making your work ponderous, choppy and uninspired. Finally, consider putting away all your work and start something from scratch, to alleviate the emotional baggage. Deliever a NEW product -- yes, books are products shot through a delivery pipe line with defined actionable steps like a set number of drafts with deadlines, limited expert feedback, and a definite cut-off for completion. (You wonder why NANOWRIMO is popular -- it's freeing up choking authors by giving them a deadline that doesn't allow for too much analysis.) After you find some success with the new product, return to choked work and move it through the delivery pipeline to readers
I hope this helps you with your work. I hope that you find great success.
Here is the doodle: "The very big array."
Here is this week's quote. A good one to help move forward.
Be unselfish. That is the first and final commandment for those who would be useful and happy in their usefulness. If you think of yourself only, you cannot develop because you are choking the source of development, which is spiritual expansion through thought for others. Charles William Eliot
To me, choking is all about a "paralysis of analysis." A writer becomes wrapped up in an unreasonable quantity of analysis that overwhelms them. She find herself incapable of making the necessary cuts and revisions to make her work shine. All the writing is good, she thinks. She can't take any of this out. She can't move any of this around. She can't add that big new part. Moreover, she goes over and over her first chapter, countless times paralyzed by the need to make that chapter perfect and somehow always coming up short. She reads writing books adding even more advice to the mix. She seeks the feedback of dozens and dozens of colleagues but never fully taking any of the advice, unsure because all the advice contradicts and she is unsure who has offered the best advice. Or she might try to implement all the advice and find that her purpose of writing the piece has become muddy and finds the work is a train wreck. The writer may become anxious and depressed. She begins to think of her lost writing dreams and how she is forever barred from success. It's self-fulfilling though, because she has "over thought" and "over complicated" what writing a book is all about.
Oh, yeah, folks, I have been here. Thankfully the fix is easy. One, kick back one day and reread a favorite book. You see, people can write books. You can do this too. Next, you have to really cut back the amount of information used to help you make revision decisions. You pick the three best colleagues advice and you don't listen to advice from anyone else. This will help stop the choking. Now, stop micro-managing yourself. I mean it. Loosen up and trust your GIFT. The love of writing, your love of story, your love of words, I mean this has been going on for a long while, trust that you were born to do this. Monitoring your every move in writing is making your work ponderous, choppy and uninspired. Finally, consider putting away all your work and start something from scratch, to alleviate the emotional baggage. Deliever a NEW product -- yes, books are products shot through a delivery pipe line with defined actionable steps like a set number of drafts with deadlines, limited expert feedback, and a definite cut-off for completion. (You wonder why NANOWRIMO is popular -- it's freeing up choking authors by giving them a deadline that doesn't allow for too much analysis.) After you find some success with the new product, return to choked work and move it through the delivery pipeline to readers
I hope this helps you with your work. I hope that you find great success.
Here is the doodle: "The very big array."
Here is this week's quote. A good one to help move forward.
Be unselfish. That is the first and final commandment for those who would be useful and happy in their usefulness. If you think of yourself only, you cannot develop because you are choking the source of development, which is spiritual expansion through thought for others. Charles William Eliot
Saturday, July 14, 2012
Pitfalls -- No Velcro
Hi folks, I'm coming in today with an idea that comes from one of my writerly friends Kathy Whitehead. She's the author of two picture books Art From Her Heart and Looking For Uncle Louie on the Fourth of July. Recently she was reading one of my chapters in critique group and came back with this: Your writing is too slick. It lacks velcro.
So velcro is a fastener that consists of a fabric component that features tiny hooks and a second that features even smaller and "hairier" loops. When you touch the pieces together, they lock. Many people say that a book needs a strong hook at the beginning but neglect to realize the rest of the novel needs to be peppered with hooks. This mass of hooks will keep your readers glued to your work until the end.
A big pitfall that I have run into is not peppering the work with the tons of hooks needed to keep readers ingrossed. One writer who does a fab job of peppering her work with hooks is J.K. Rowling. I mean the lusciousnes of her world building just keeps you glued. Wands, butterbeer, Bertie Botts Jelly Beans, magical chocolate frogs, sorting hats, Quiddich...all the little details that serve as tiny hooks to keep us stuck to the story.
Characters need hobbies, quirks, favorite sports, best drinks, etc. Look at every descriptive detail as an opportunity to hook your reader. Remember never put a piece of cardboard in the place there should be a hook. Make your readers care.
Consider this too. Volume does not make a description have a hook. It's about interest not about amount. Hooks always include sharp smart writing and new twists on dry-as-toast ideas. So dig into your smooth bland work and add the hooks.
I hope you add the velcro to the work this week! Come back next week for more pitfalls to avoid.
As human beings, our greatness lies not so much in being able to remake the world - that is the myth of the atomic age - as in being able to remake ourselves. Mahatma Gandhi
So velcro is a fastener that consists of a fabric component that features tiny hooks and a second that features even smaller and "hairier" loops. When you touch the pieces together, they lock. Many people say that a book needs a strong hook at the beginning but neglect to realize the rest of the novel needs to be peppered with hooks. This mass of hooks will keep your readers glued to your work until the end.
A big pitfall that I have run into is not peppering the work with the tons of hooks needed to keep readers ingrossed. One writer who does a fab job of peppering her work with hooks is J.K. Rowling. I mean the lusciousnes of her world building just keeps you glued. Wands, butterbeer, Bertie Botts Jelly Beans, magical chocolate frogs, sorting hats, Quiddich...all the little details that serve as tiny hooks to keep us stuck to the story.
Characters need hobbies, quirks, favorite sports, best drinks, etc. Look at every descriptive detail as an opportunity to hook your reader. Remember never put a piece of cardboard in the place there should be a hook. Make your readers care.
Consider this too. Volume does not make a description have a hook. It's about interest not about amount. Hooks always include sharp smart writing and new twists on dry-as-toast ideas. So dig into your smooth bland work and add the hooks.
I hope you add the velcro to the work this week! Come back next week for more pitfalls to avoid.
Here is this week's doodle: "Lamb".
And finally this week's quote:
Subscribe to:
Posts (Atom)




